
Unknown Woman #42
Dotty stood and stared down at the simple marker, a metal plaque, time-drawn patina across its letters, set into a simple stone block, and like every other instance, every single one of them, she remembered. She read the date once more: June 22, 1918. Somehow, she was always drawn back to this place.
Around the markers stood four elephant statues, their trunks lowered in mourning. She remembered. She thought that there had been elephants….
Of course, there were elephants. There was a tiger too, though the lions were gone for some time now. It took quite a bit at the beginning for the transport cages to be appropriately modified, because the elephants didn’t like the train much. You could hear them banging around sometimes even above the noise of the tracks. Some of the performers lived together, like Bezo the Clown and The World’s Shortest Woman (Clarissa was her real name), or Julius/Julia, Half-Man, Half-Woman and Titus the Strong Man who’d only recently decided to shack up together. Madam Orenska, the Psychic, sometime wondered if it would be more appropriately called carriaged up, but in the end, that didn’t quite flow. Just like Dotty Smith didn’t quite work as a psychic name. She guessed, in the end, that was why people had stage names. Madam Orenska worked one of the side tents, not like the stars of the show. They worked the Big Top. Not so for Dotty Smith. The Flying Forellis had their own carriage, but they were a family, and they worked the Big Top.
Between the carriages that transported the animals and those, further back, that served as living quarters ran the gear flatbeds, the yellow and red striped big top, the poles and ropes and spikes, the tools to put it all together. It gave them all a few meters’ separation from the noise and stink of the animals. Just as well; she didn’t much like the smell of horses. Dotty didn’t much like the lovely Agneta who pranced around on their backs in her blue sequined costume, teeth bared in her performance smile, arms held aloft either. But you couldn’t like everyone, could you? Though everyone else seemed to like her. Dotty just didn’t get it. After the gear and the animals came the living quarters and the sleeping cars and finally, the last couple of carriages, shared by the roustabouts, all packed in like sardines. At least she wasn’t back there.
They had about five hours before the next stop. Some small town in the middle of nowhere, but that didn’t matter. Everyone loves a circus. Dotty had been with Bayley Brothers and Ryan for about four years now, but they’d only started using the train about two years ago. To be honest, she preferred the old style with the caravans and the wagons. Places you could truly call your own. They could go anywhere they wanted, finding interested crowds, people who’d never seen them before. Now they were more limited, stuck with the places that the tracks led. Sure, it was quicker getting to wherever they were going, but not by much. They had a big circuit now, bigger towns and cities. It meant that they had to regularly change up the acts, keep them fresh. Still, despite those differences, she wouldn’t change the life for anything. It was where she belonged.
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